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Why ‘Royal Confessionals’ Threaten the Monarchy

The “confessional” is often used in celebrity cultures to manufacture intimacies with audiences.

Published Mar 8, 2021

From Harpo Productions

OPRAH WITH MEGHAN AND HARRY
Monday 8th March 2021 at 9pm on ITV

Pictured: Prince Harry and Meghan, The Duke and Duchess of Sussex with Oprah Winfrey

(C) Harpo Productions/ Photographer Joe Pugliese

Note To Editors:  Oprah With Meghan and Harry will also be available on ITV Hub

ITV ACQUIRES “OPRAH WITH MEGHAN AND HARRY,” TO BE BROADCAST MONDAY, 8 MARCH 

ITV announced today OPRAH WITH MEGHAN AND HARRY, featuring Oprah Winfrey as she sits down with Prince Harry and Meghan, The Duke and Duchess of Sussex, for an intimate conversation to air Monday, 8 March at 9pm on ITV.

 Winfrey will speak with Meghan, The Duchess of Sussex, in a wide-ranging interview, covering everything from stepping into life as a Royal, marriage, motherhood, philanthropic work to how she is handling life under intense public pressure. Later, the two are joined by Prince Harry as they speak about their move to the United States and their future hopes and dreams for their expanding family.

Kevin Lygo, ITV Managing Director Media & Entertainment, said: "This interview is already a national talking point and ITV is pleased to be able to offer UK audiences the opportunity to see it."

The special is produced by Harpo Productions. Executive producers are Terry Wood and Tara Montgomery, co-executive producer is Brian Piotrowicz. The special is internationally distributed by ViacomCBS Global Distribution Group. The two-hour primetime special is scheduled to air on Sunday, March 7 from 9:00-11:00 PM, ET/PT on the CBS Television Network in the U.S.

For further information please contact Peter Gray
Mob 07831460662 /  peter.gray@itv.com

This photograph is (C) Harpo Productions and can only be reproduced for editorial purposes directly in connection with the programmr. OPRAH WITH MEGHAN AND HARRY or ITV. Once made available by the ITV Picture Desk, this photograph can be reproduced once only up until the Transmission date and no reproduction fee will be charged. Any subsequ (Harpo Productions/Joe Pugliese)
Image Via Harpo Productions/Joe Pugliese

This article originally appeared on The Conversation.

This article about "royal confessions" is republished here with permission from The Conversation. This content is shared here because the topic may interest Snopes readers; it does not, however, represent the work of Snopes fact-checkers or editors.


The Sussexes’ interview with Oprah Winfrey is shaping up to be the most published critique of the British monarchy in years. In it, Meghan confessed her suicidal feelings while pregnant as well as claims that someone in the royal family questioned how dark Archie – her son with Prince Harry – would be. In much of the commentary, the interview has been framed as an attack on the royal family. But royalist demands that Meghan and Harry should “just stay quiet” speak to longer histories of the politics of the “royal confessional”, and how people who speak out are maligned to protect the institution.

Royal confessionals have a long history. Marion Crawford, who wrote a book in 1950 about her time as nanny to the Queen and her sister Margaret, was allegedly ostracised for selling her story without permission. Wallis Simpson, the American socialite for whom Edward VIII abdicated the throne in 1936, wrote a memoir The Heart Has its Reasons. In it, she sarcastically recalled the Queen Mother’s “justly famous charm” as a thinly-veiled critique.

Princess Diana’s BBC One Panorama interview in 1995 is perhaps the most iconic royal confessional. Diana told interviewer Martin Bashir about royal adultery, palace plots against her, and her deteriorating mental and physical health. Her infamous quote, “well, there were three of us in this marriage, so it was a bit crowded,” referring to Prince Charles’s affair with Camilla Parker Bowles, is still remembered almost 26 years later. Sir Richard Eyre, a former director of the National Theatre, claimed that the Queen called Diana’s decision to tell-all “frightful”.

Unwelcome confessions

Common across all these examples is that it is women who use the royal confessional to reveal their experiences.

The “confessional” is often used in celebrity cultures to manufacture intimacies with audiences. Celebrities disclose something personal and reveal their “authentic” selves. However, as sociology and media scholars Helen Wood, Beverley Skeggs and Nancy Thumin note, elite, white, male celebrity confessions tend to be treated with gravitas. But women’s confessionals – particularly women of colour or those associated with “low culture professions” (such as celebrities) – are all too often treated as inappropriate, oversharing and narcissistic.

Meghan Markle

All these confessionals are described in public and social commentary as attacks on the royal family. They were – and are – considered as erroneously and immorally exposing the inner workings of the monarchy. Commentators such as Piers Morgan have branded the interview a disgrace, asking how they could be so heartless as to call the Queen and Prince Philip liars while Philip is currently ill in hospital?

Protecting power

Stories that describe royal confessionals as immoral are similarly attempting to protect the monarchy, rather than recognising the importance of holding a powerful institution to account. In my forthcoming book, I argue that the British monarchy relies upon a careful balance of visibility and invisibility to reproduce its power. This is an ancient institution operating at the heart of a supposed democracy - not drawing attention to these contradictions is central to its survival. The royal family can be visible in spectacular (state ceremonies, for example) or familial (royal weddings, royal babies) forms. But the inner workings of the institution must remain secret.

https://youtu.be/OTJgi78AguE

 

Like Meghan, I use the phrase “The Firm”, but I use it to describe the monarchy as a corporation, invested in reproducing its wealth and power. But this is a corporation whose operations must remain top secret. Any exposure of its behind-the-scenes activities – such as recent revelations in The Guardian on the misuses of the “Queen’s consent” to influence laws that affect her personal interests – risk destabilising the monarchy.

One moment when too much visibility was cast on the monarchy was the 1969 fly-on-the-wall documentary Royal Family, which followed the royals for a year. This has been (in)famously redacted by Buckingham Palace. I argue this is because it revealed too much about monarchy behind the scenes and threatened to rupture the precious visibility and invisibility balance. As constitutional scholar Walter Bagehot wrote in the 1800s: “We must not let in daylight upon magic”.

Like their other confessors before them, Meghan and Harry’s claims about living inside “The Firm” continue to be positioned as disrespectful, blasphemous and immoral attacks on the Queen and her family. But perhaps what we should be asking is why do so many people, and the British media, seem to have a problem with holding one of our most powerful state institutions to account?The Conversation


Laura Clancy, Lecturer in Media, Lancaster University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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