Old Wives' Tales
Radio & TV
Toxin du jour
Claim: The lyrics to "Louie Louie" are really dirty.
Origins: "Sex and drugs and rock 'n' roll" is more than an Ian Dury slogan; it also neatly encapsulates the three pastimes of America's youth that adults have expended the most effort in trying to control for the last half-century. Films
By 1963 the rock 'n' roll genie had long since been let out of the bottle, but what one could say (and sing) about sex and drugs on the public airwaves was still often circumscribed by the government and corporate standards and practices divisions. Lou Christie's "Rhapsody in the Rain" and the Byrds' "Eight Miles High" both struggled against radio airplay bans in 1966 for allegedly dealing too explicitly with sex and drugs (respectively), and in 1967 the host of America's premier television showcase for entertainers, Ed Sullivan, was still trying (unsuccessfully) to coerce groups like the Doors and the Rolling Stones into altering their "suggestive" lyrics about drugs and sex (respectively) when they appeared on his program. As rock critic Dave Marsh noted:
In a culture that interprets puberty as a tragedy of lost innocence rather than as a triumphal entry into adulthood, the possibility of someone actually giving vent to sexual feeling remains deliciously scandalous. Sex is bad, and somebody singing about it would be really bad.So it was that the youth of America scored a major coup in 1963 by spreading the rumor that a popular recording of an otherwise innocuous 1956 song about a lovesick sailor's lament to a bartender named Louie was really all about sex. You had to listen carefully, the rumor went, maybe even play the single at
. . . in the viperous new generation arising in America's schools, no greater sport could be had or imagined than making all repositories of respectability cringe and groan over the unprovable. Somebody, somewhere, came up with the idea of dirty "Louie Louie" lyrics not only as a way of putting on other kids and panicking authority, but as a way of creating something rock 'n' roll needed: a secret as rich and ridiculous as the sounds themselves.Perhaps the time was right, and if "Louie Louie" had not come along, some other song would have been tagged as the "dirty" one. (After all, the word was already out that the Peter, Paul and Mary children's song about a dragon named Puff was actually about drugs.) We'll never know, because "Louie Louie" did indeed come along.
"Louie Louie" was the creation of Richard Berry, a Los Angeles sideman, session player, and singer-songwriter. Inspired by Rene Touzet's "El Loco Cha Cha" and Chuck Berry's "Havana Moon," Berry crafted his immortal three-verse sailor's lament and recorded it with a group called the Pharaohs in 1956. His laid-back version was released in 1957 (as the
What happened next was presciently covered by Marsh in his book-length exploration of the "Louie Louie" phenomenon:
Back in 1963, everybody who knew anything about rock 'n' roll knew that the Kingsmen's "Louie Louie" concealed dirty words that could be unveiled only by playing theIn retrospect, it's easy to identify the aspects of the Kingsmen's "Louie Louie" that made the "filthy lyrics" myth even a tiny bit plausible. The pidgin English narration of the lyrics was unusual enough, and comprehension difficulties were compounded on the Kingsmen's recording by several factors:
So "Louie Louie" leaped up the chart on the basis of a myth about its lyrics so contagious that it swept cross country quicker than bad weather. Nobody — not you, not me, not the
Louie, Louie,What circulated among adolescents by word of mouth and on furtively-passed crib sheets for the next several years were numerous variations like the following:
me gotta go.
me gotta go.
A fine little girl, she wait for me;
me catch a ship across the sea.
I sailed the ship all alone;
I never think I'll make it home
Three nights and days we sailed the sea;
me think of girl constantly.
On the ship, I dream she there;
I smell the rose in her hair.
Me see Jamaica moon above;
It won't be long me see me love.
Me take her in my arms and then
I tell her I never leave again.
Louie, Louie,Once concerned parents began to report their outrage about this allegedly "obscene" song to the FBI, the Bureau made the mistake of expending all their effort in proving it true rather than investigating the rumor itself. It was as if a frightened mother had written to
grab her way down low.
grab her way down low.
A fine little bitch, she waits for me;
she gets her kicks on top of me.
Each night I take her out all alone;
she ain't the kind I lay at home
Each night at ten, I lay her again;
I fuck my girl all kinds of ways.
And on that chair, I lay her there;
I felt my boner in her hair.
If she's got a rag on, I'll move above;
It won't be long, she'll slip it off.
I'll take her in my arms again;
tell her I'd rather lay her again.
Don't we all sleep a little better at night for their efforts?
Sightings: John Belushi's 'Bluto' character (anachronistically, because the film is set in 1962) teaches the dirty "Louie Louie" lyrics to a group of fraternity pledges in 1978's Animal House, and the three Libner brothers hold a hilarious debate over the real lyrics in 1990's Coupe de Ville.
Last updated: 24 May 2007
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