Synopsis: No real evidence exists to defend the claim that Walt Disney's natural parents were anyone other than Flora and Elias Disney. Support for Walt Disney's having Spanish parentage is based solely on fragmentary and contradictory bits of hearsay and rumor, without the backing of a single piece of substantive documentation.
Origins: One version of the legend, as recounted by Mosley, identifies a young woman named Consuela Suarez from the Spanish town of Mojacar (or Mojacca) as Disney's "real" mother. Señorita Suarez, the story goes, was engaged to a young man from her village who was killed in Morocco before the marriage could take place, leaving her unwed and pregnant. After giving birth, Consuela allegedly enlisted the aid of a local priest to arrange for an American couple to take the child back to the USA, where she (having arrived later) "signed the papers which enabled her son to be formally adopted and made a US citizen." Only shortly before her death, when she finally returned to her native Spain, did Conseula learn that the son she had given up many years before was now the world-famous Walt Disney.
The tale is charming as a modern-day fairy tale, but it hardly stands up to critical examination. Why did Conseula Suarez give up her child for adoption? Presumably it was to avoid the scandal of being an unwed mother in a primarily Catholic country, yet both Señorita Suarez and her son immediately relocated to America, where no one would have known about the circumstances of the child's birth, thus allowing her to keep her son without fear of censure. And who was this mystery couple who brought Consuela's son to America? Certainly not Flora and Elias Disney, who never visited Spain and had no ties of any kind to that country. How and why did this couple come in contact with the Disneys? The question also remains (regardless of how the child came to the USA) as to why the Disneys, who could barely make ends meet and already had three sons of their own, would adopt a stranger's child. (The notion that Flora and Elias might have adopted a child because of their own inability to produce further offspring is belied by the fact that Flora gave birth to a daughter a few years later.) Lastly, where are the adoption and naturalization records for this mystery child? Local adoption papers might disappear (or be made to disappear), but not so federal citizenship records.
Marc Eliot revived this legend in a more expansive (and a much more contrived and convoluted) form in Walt Disney: Hollywood's Dark Prince. In Eliot's version, Walt Disney's "real" mother was a washerwoman named Isabelle Zamora (Ascensio) from Mojacar, who became pregnant by a man from the same village, the already married
Even if we proceed from the assumption that Señora Zamora and her child actually existed, the legend breaks down when any attempt is made to link them to Flora and Elias Disney. Eliot claims that Elias Disney met up with Señora Zamora in 1890, after he "took leave of his wife and
Let's say Señora Zamora and her child were real, and Elias Disney somehow managed to end up in California and meet up with them in 1890. Why would Elias Disney, already married and the father of three sons, offer to adopt this Spanish washerwoman's child? The answer is simple, says Eliot: Elias Disney had an affair with Señora Zamora in California, brought her back with him to Chicago as a "kept woman," then forced Flora to raise the child as their own to avoid the shame and humiliation that would befall them if his scandalous affair were revealed. (Hedging his bets at this point, Eliot suggest that perhaps Señora Zamora's child wasn't born until after her arrival in America, maybe even as the result of an affair with Elias Disney. These hypotheses, of course, completely contradict Eliot's earlier explanations of why and how Señora Zamora came to be in America in the first place.) But one simple fact demolishes this theory: Walt Disney was born in 1901, not 1890. Eliot is left with a gap of over ten years between Elias' alleged affair with Señora Zamora and Walt's birth.
Eliot disingenuously tries to skirt around the eleven-year discrepancy by pointing out that there is no official record of Walt Disney's birth in Cook Country, Illinois, on the birthdate that has always been claimed for him
The discrepancy in birth records is not difficult to explain. Birth certificates were not required by law in Illinois at the turn of the century, and official paperwork for a child born at home without a doctor in attendance (as Walt was) often went unfiled. The lack of a birth certificate for Walt Disney is therefore not unusual. (Despite Mosley's statement that Disney "was indubitably a native-born American as his birth certificate, a copy of which can still be obtained in Chicago, will testify," no birth certificate for Walt Disney is known to exist.) The confusion of names on the record of Raymond's birth cannot be definitively explained, but most likely either Flora and Elias Disney had not firmly agreed on a name for their son at the time the birth was recorded, or else they later changed their minds. (Mosley reports a similar disagreement between Flora and Elias Disney over the choice of name for their third son, Roy Oliver Disney.) Quite possibly the Disneys had intended to honor a promise they made to their preacher, Walter Parr, to name their next son after him, but then decided against it. Several years later
That Walt Disney was born in 1901, not 1890, is beyond dispute. Even though a birth certificate might not exist, photographs and school records clearly demonstrate that Walt was not more than ten years older than commonly believed. He could not possibly be the result of a liaison between Señora Zamora and Elias Disney that occurred in 1890. Even if Eliot were wrong about the date and the two hooked up in 1900 or 1901 (although, once again, this contradicts Eliot's earlier explanations of how and why Zamora came to be in America in the first place), a baby resulting from that union could simply not have been passed off as Flora and Elias's own child, unless we are to believe that nobody
Last updated: 24 August 2007
Eliot, Marc. Walt Disney: Hollywood's Dark Prince. New York: Birch Lane Press, 1993. ISBN 1-55972-174-X (pp. 12, 155-156). Mosley, Leonard. Disney's World. New York: Stein and Day, 1985 (pp. 16-21). Thomas, Bob. Walt Disney: An American Original. New York: Simon and Schuster, 1976. ISBN 0-7868-6027-8 (p. 24).